Document Type

Article

Publication Date

1-1-2019

Abstract

Murals decorating an Eastern Han tomb excavated in Jingbian, Shaanxi include two large-scale representations of the deceased who appears in a processional scene on the left front wall of the tomb wearing typical Han elite dress, and then again on the rear wall in a regional version of a spirit seat (lingwei) composition, clean-shaven and donning a hairstyle uncommon in Han mortuary art. This paper considers these depictions in terms of Han pictorial conventions and argues that they are dual portraits of the deceased in which different attributes of his political, social, and cultural identity are stressed.

Comments

University of Ljubljana Press originally published this article.

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Creative Commons Attribution-Share Alike 4.0 International License
This work is licensed under a Creative Commons Attribution-Share Alike 4.0 International License.

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