The Migration of Different Cultural Aspects Between the Early 20th Century French Art Movement and Chinese Immigrants
Presentation Type
Poster
Full Name of Faculty Mentor
Edurne Beltran de Heredia, Languages and Intercultural Studies
Major
Languages & Intercultural Std
Presentation Abstract
The early 20th century produced some of the most renowned artists in the world, such as Jean Dubuffet and Marcel Duchamp. The art world at this time was rapidly expanding, and there was a significant movement of different techniques and styles being developed into what is now considered modern art. Artists from around the world immigrated to France during this time to study at some of the most notable academies of art, including a large group of Chinese artists. This poster will examine how this French movement strongly influenced these Chinese immigrants because studying in France forced them to face new artistic concepts and ways of thinking that heavily contrasted with Chinese art. By examining different Chinese artists that immigrated to France during the early 20th century, such as Lin Fengmian (林风眠), Pan Yuliang (潘玉良), and Pang Xunqin (庞薰琹), we can better understand the migration of diverse cultural aspects from one culture to another.
Start Date
13-4-2023 12:00 PM
End Date
13-4-2023 2:00 PM
Disciplines
International and Intercultural Communication | Modern Languages
Recommended Citation
McNeil, Tiffani, "The Migration of Different Cultural Aspects Between the Early 20th Century French Art Movement and Chinese Immigrants" (2023). Undergraduate Research Competition. 94.
https://digitalcommons.coastal.edu/ugrc/2023/fullconference/94
The Migration of Different Cultural Aspects Between the Early 20th Century French Art Movement and Chinese Immigrants
The early 20th century produced some of the most renowned artists in the world, such as Jean Dubuffet and Marcel Duchamp. The art world at this time was rapidly expanding, and there was a significant movement of different techniques and styles being developed into what is now considered modern art. Artists from around the world immigrated to France during this time to study at some of the most notable academies of art, including a large group of Chinese artists. This poster will examine how this French movement strongly influenced these Chinese immigrants because studying in France forced them to face new artistic concepts and ways of thinking that heavily contrasted with Chinese art. By examining different Chinese artists that immigrated to France during the early 20th century, such as Lin Fengmian (林风眠), Pan Yuliang (潘玉良), and Pang Xunqin (庞薰琹), we can better understand the migration of diverse cultural aspects from one culture to another.