Public Art and the Public Square in the Rural Deep South: The Case of Hancock County, Georgia

Authors

Keith Gaddie, Texas Christian UniversityFollow
Jocelyn Evans, University of West FloridaFollow

Volume Number

53

Issue Number

1

Abstract

This study explores the political and social significance of public art in rural Southern communities, shedding light on their resilience amid change. Our analysis of Sparta's mural art aligns with existing scholarly typologies, distinguishing between place-inspired, heritage-inspired, and socially-inspired murals. These murals symbolize community aspirations rather than historical or social narratives. This distinction prompts considerations for future research: urban and rural public art serve distinct purposes, artist-driven murals draw from diverse inspirations, and communal engagement varies across mural types. Community murals not only articulate identity but also amplify marginalized voices and critique societal norms. By delineating these differences, we underscore the multifaceted role of public art in shaping community identity, preserving heritage, and fostering social cohesion. Sparta's mural landscape thus emerges as a rich tapestry reflecting both local heritage and collective aspirations, offering insights into the nuanced dynamics of rural cultural expression.

Recommended Citation

Gaddie, Keith and Evans, Jocelyn (2025) "Public Art and the Public Square in the Rural Deep South: The Case of Hancock County, Georgia," Journal of Political Science: Vol. 53: No. 1, Article 3.
Available at: https://digitalcommons.coastal.edu/jops/vol53/iss1/3